It is a purge for another edge. There is an option to turn down to circled manner of simplify the painting to the few categories of expression like figural descriptive abstract objective or their fusion, paintings could be humanistic emotional or technologically rational and vice versa – therefore contemporary or and mainly are and become temporary – There would be just few which will last. Seemingly there is the necessity of historical arrangement and sociopolitical contemporary relevance. Still the absolute meaning, that cannot be overestimated enough is the propensity of the painting practice to delve into the unknown. If the science would be this which help us discern what is known contra unknown , then the arts and particularly fine arts that concerns the freedom guided by the god like instincts (understand within the Jeremy Griffith interpretation – Loving integrated traits of human ) becomes the attitude that the unknown momentum is welcomed by.

Still such view seems adequate even though the science was a heretic idea the art just like labour practice still delving the unknown although it tried to encage into the fairytale known. Still it is is not a causation of which it comes from but it surely is a correlation towards to interpretation of piece of art. And the allover surrounding purge to encage the paintings within the realm of our civilisation somehow distressed the fact of the the Paleolithic period estimated 2,7 million years of evolution, which is documented by fossil discoveries.

At the beginning there is a question of what a painting actually is. I think it is pretty easy, even though there are few individuals who in rush for originality would constantly expand this term over it is logical meaning towards to readymade or even installation. Still the painting is a painted object, where the painting therefore the color and its forms are the message. Thats it. Following the subjective notion of reality which is actual, therefore it is never obsolete and if it is done well, it is the most actual representation of free mind

There is one concern, which for me was always apparent during art creation and painting particularly. Considering the freedom involved there is much more than just personal pleasure. There are a large number of processes which are involved in the painter’s mind, then there is some energy or intentions, which are spread to the other living entities by art. Maybe it is just fantasy. Although we can trace the history of art together with the history of humankind. Still, it would be hard to prove the direct link between Art and the future of living beings. Anyway, lets actually stake there is some link, and Art is not just the result of live but furthermore due to the complex thinking processes, which accompany the painting process and the energy involved within the painting I think, accordance to freedom there is huge responsibility on the side of artist, what and why is served to the audience.

During the essential painting process, we balance extremes on many different fields, which are contemporary concerns.

Contemporary concerns

• The Light vs Dark?
• The figural-abstract border?
• The ignorant vs perfection
• Subjectivism vs objectivism
• When the painting explains itself or the man express itself?
• Can be painting prepared
• What is the affection about painting and in painting?
• consider the painted space: Is it a mystification?